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The complete number of Kyrgyzstan gambling halls is something in some dispute. As data from this country, out in the very most interior part of Central Asia, tends to be hard to receive, this may not be all that surprising. Regardless if there are 2 or 3 legal gambling halls is the element at issue, maybe not really the most earth-shattering slice of information that we do not have.

What will be accurate, as it is of most of the ex-USSR states, and absolutely correct of those in Asia, is that there no doubt will be a lot more not allowed and bootleg market gambling dens. The adjustment to acceptable gaming didn't drive all the former places to come away from the dark into the light. So, the controversy regarding the total amount of Kyrgyzstan's gambling halls is a minor one at best: how many approved casinos is the thing we're trying to reconcile here.

We understand that located in Bishkek, the capital municipality, there is the Casino Las Vegas (a spectacularly unique name, don't you think?), which has both table games and slot machine games. We can also see both the Casino Bishkek and the Xanadu Casino. Both of these contain 26 video slots and 11 table games, separated amidst roulette, vingt-et-un, and poker. Given the remarkable likeness in the square footage and setup of these 2 Kyrgyzstan gambling halls, it might be even more astonishing to determine that both are at the same address. This appears most difficult to believe, so we can perhaps state that the number of Kyrgyzstan's casinos, at least the authorized ones, stops at 2 casinos, 1 of them having altered their title just a while ago.

The state, in common with almost all of the ex-Soviet Union, has experienced something of a accelerated adjustment to capitalistic system. The Wild East, you could say, to reference the lawless conditions of the Wild West an aeon and a half ago.

Kyrgyzstan's casinos are actually worth going to, therefore, as a piece of social research, to see cash being gambled as a type of civil one-upmanship, the apparent consumption that Thorstein Veblen wrote about in nineteeth century u.s..